Caught this on GoWhereHipHop and couldn’t pass this up. The guys over at Deaupe created a video mashup of The Weeknd’s House of Balloons mixtape. Here is what they have to say:
First of all. This is not an official video for ‘The Weeknd’. I repeat. This is not an official video for ‘The Weeknd’.
A few months ago, after I heard the mixtape, me and my buddy Fabio came up with an idea to shoot a ‘video mixtape’, our visual interpretation of the mixtape. No budget. No money, just the love for music and videography. Since we actually never heard of ‘video mixtapes’ (don’t even know what to call it, haa!), we just went with the flow and actually learned a lot during the process. The mix was made by DJ Fullscale, thanks a million! I also want to thank Hakim and Sanne for giving up their free time to help out with this project!
Pretty ‘deaupe’ video if you ask me. But I highly doubt The Weeknd will like it (this was a retweet by him), though.
Down below are a few fan made videos for “What You Need” and “High for This”
Sorry for missing yesterday’s song of the day, folks! Hopefully today’s artist spotlight will make it up to you (it should). Today’s artist spotlight is the mysterious R&B singer The Weeknd. The Weeknd is not a group or collab as many believe, but a lone 20-year-old from Toronto. Like former spotlighted artist Frank Ocean, The Weeknd has made significant waves from his single mixtape that he has released, titled House of Balloons (available for download below).
The Weeknd takes samples from a variety of genres from artists like Beach House (“Loft Music”) and Siouxsie and the Branshiees (House of Balloons/Glass Table Girls) to create a unique electro hip-hop and indie vibe. The Weeknd also combines synths and heavy bass to add even more distinction to his sensual lyrics.
What does The Weeknd sound like? In my opinion, he combines the best of Drake’s R&B voice and lyrics with those of The-Dream. Some songs give you a classic 90s R&B vibe while others will give off a futuristic and indie feel. It’s no stretch to say that The Weeknd and Frank Ocean can reshape R&B music in dramatic fashion.
But how much of an impact can The Weeknd really make on the R&B scene? After all, there are no guarantees that The Weeknd will grow as an artist. House of Balloons is a fantastic debut mixtape, but there is still room for improvement. Do classic R&B fans really dig the new indie-R&B fusion that The Weeknd brings to the table? Or is this just a fad of 2011 that will soon disappear into darkness? Frank Ocean and The Weeknd certainly are giving fans something to talk about, but let’s see if they can actually permeate that talk rather than become afterthoughts like many artists have become. Give the tape a listen and let me know what you think.
“I don’t wanna care right know,” I really don’t, but Lupe Fiasco’s “Record Release Party” at the House of Blues in Chicago last night was absolutely awful. To show you just how bad it was, I’ll give you the run down.
All times are approximations
7:57 PM– Arrive at the House of Blues to find a line still outside waiting to get in, even though doors opened at 7:30. Good sign, the show is sold out. Lupe gets more hyped with a bigger crowd, and at capacity, the House of Blues is a pretty big crowd. I start drooling. Wasalu hasn’t had a show in Chicago for about a year, and I haven’t seen him for almost three. I take off my jacket to reveal my ’06 black St. Alfred “Listen to Lupe” shirt; which I chose to wear after anticipating large pit stains (which is normal for me) and hoping Lupe would spot me in the crowd and thank me for being such a dedicated fan.
8:30 PM– DJ Broadway Streetz and his hype man are doing an awesome job. Throwing on tracks such as Common’s “The Food” and Jay Z’s “Girls, Girls, Girls,” the crowd is mouthing the lyrics, bobbing their heads up and down to the beat, and waving their hands in the air like they just don’t care. This show is going to be legendary. I feel it.